No example highlights this point more clearly than the Faenza Codex (FaenBC ; henceforth Faenza), an Italian manuscript containing the largest surviving. cerning the instrument(s) for which the Faenza Codex was intended: van den Borren thought it was for two instruments, although he did not specify which; two. KEYBOARD MUSIC OF THE 14TH CENTURY tents of the Faenza codex, on the limited basis of Roncaglia’s descrip- tion. Incomplete as this description.
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The all-time greats Read about the artists who changed the world of classical music. This article does not cite any sources. Add product to compare successful. Again, this makes sense from the point of view of programming, but it also allows a fine cast of singers to make the most of this music. The codes in the “Recordings” column are specified in the “Discography” section.
Gramophone products and those of specially selected partners from the world of music. This offers the attentive listener a way into an unfamiliar repertory, and rounds off the disc in a nicely balanced manner. A faenzz, unadorned parchment booklet, the manuscript of the Biblioteca Comunale Manfrediana in Faenza encloses a stunning quantity and unique quality of information on 14th- and 15th-century Italian musical culture.
Codex Faenza 117 (The). Instrumental Polyphony in Late Medieval Italy
The principal aim of the present study, therefore, is to supply the first coodex photographic reproduction of Codex Faenza with a general reconsideration of its historiography, and with an in-depth codicological analysis of the source. Not all the music recorded here comes from the Codex Faenza itself, but the vocal selections are the original models of pieces that appear as instrumental arrangements in the manuscript.
Unsourced material may be challenged and removed. The modern rediscovery produced an extraordinary rich literature, focused mainly on the style and possible instrumentation of the repertoire and on the identification of its vocal models.
Codex Faenza The. Codex Faenza, Untitled I. In other projects Wikimedia Commons.
Codex Faenza (Various) – IMSLP/Petrucci Music Library: Free Public Domain Sheet Music
Basada en una obra vocal de Johannes Ciconia. You can help Wikipedia by expanding it.
Codex Faenza, Hont paur Machaut. Privacy Terms and conditions.
The older one contains 50 non-texted intabulated diminutions generally assumed to be instrumental and dated within the first two decades of the 15th century. Skip to main content. The manuscript is still held at the Biblioteca Comunale di Faenzanear Ravennabut facsimiles are held in other libraries in Italy and overseas.
Articles lacking sources from August All articles lacking sources All stub articles. Faenzw minimum purchase order quantity for the product is 1 Quantity Add to cart. The Codex Faenza is one of the few remaining sources for instrumental music at the turn of the fifteenth century.
Nuova serie, 3 Size Codex Faenza Codex Faenza, Jay grant espoir. Year ISBN Except for a direct copy made by Giovanni Battista Martini insix of the theoretical entries faenzz as many as eighteen of the polyphonic compositions added cldex Bonadies are unique in Codex Faenza; and, perhaps more importantly, none of the fifty intabulations of the earlier layer survives in any other source. Retrieved from ” https: The works of the manuscript are detailed below.
Codex Faenza, Elas mon cuer Bologna. Codex Faenza, Ave maris stella. II, Facsimile edition, pp. Add to my wishlist. Whether you want to see what we think of today’s latest releases or discover what our critics thought of your favourite recordings from the past, you will find it all in our full-searchable Reviews Database. Codex Faenza, Jay grant espoir.
This product is no longer in stock. I, Introductory study, pp. The Codex Faenza Faenza, Biblioteca Comunale abbreviated as ” I-FZc “, and sometimes known as Codex Afenzais a 15th-century musical manuscript containing some of the oldest preserved keyboard music along with additional vocal pieces. Codex Faenza, Aspire coedx Bologna. Views Read Edit View history.
Codex Faenza, Hont, paour, doubtance Machaut. Codex Faenza, Non ara may pieta questa mia dona Landini. Instrumental Polyphony in Late Medieval Italy.
The younger layer is an autograph by the Carmelite friar Johannes Bonadies, who in and used empty folios to add 16 music theory treatises, summaries or tables, and 22 mid- or late-fifteenth-century polyphonic settings, mostly composed by John Hothby, Bernardus Ycart, and Johannes de Erfordia, aside with some anonymous settings and a short Kyrie by Bonadies himself.